This means that the flute is easier to hold in place than other more open notes. I have recently read Geoffry Gilbert's practice Plan in the spring 1988 NFA Journal. 1; M. Moyse's De la Sonorite, Paula Robison's Warmup Book. Other notes in the same harmonic series are F#6 and B6. Any Daily Exercise book that contains patterns based on all the major, chromatic and minor scales is also good. 3 Reichert - 7 Daily Exercises for Flute, … Building dexterity in the fingers as well as in articulation is a great way to improve your playing FAST. Now, how do you keep all these qualities without practicing for 14 hours every day? The next stage is to further even out the fingerings so that all rhythms are very precise and clear, and there are no "blips or slips" when you're playing strings of running notes. That is a perfect example of harmonics on flute. I, Trevor Wye's Practice Books for the Flute all five volumes together [Omnibus edition]. 3. Finally, your pieces are your reward for layering up all the skills in one incredibly solid series of human actions: they'll sound gorgeous. Self-awareness is a key component of learning to play the flute at the intermediate level. Three hour plan: Gilbert fits the above sections into a three hour practice session, which roughly translated means: 1 hour on tone, and 30 minutes on each of the remaining sections. And after proving that to yourself you'll find that the discipline is no longer an imposition that binds you; it becomes an ingenious way of letting you express yourself in all your individuality. Purchasing this one volume could save you time and money as it contains many of the exercises that you'd normally purchase as separate volumes and puts them all together in a great format. In other words: "Find your central interests, if flute is not IT". Play a tune that you know well by ear. It is a great overall warm-up book. C) Pacing around, or loosely striding all around your echoey spaces at home playing gorgeous sounds and making up fragments of melodies that 'just come to you'. That includes how to warm up my lips and my body so that I don’t injure myself. Not only do they have some dynamics and vibrato choices, they have a colourful pallet of both, that they apply like an artist applies a new colour to a canvas…….You're blown away by the complexity and the "simplicity" of what you're heard. But not everyone has the luxury of taking private lessons and learning all about warm ups. All of these technical areas are normal starting points when learning an instrument, and are gradually built up one by one until a certain proficiency has been reached that allows you to play musically-interesting and intellectually or emotionally rewarding "pieces" composed for flute. on sporadic practice. Really sing out on the high register. Remember that your goal is FREEDOM, and you'll be inspired to stick with your plan to improve. ************************************************************************************** Expose yourself to these things, so that you're aware of all the "cool" things out there. We've developed these exercises specifically so that they have a big payoff in terms of being able to play fast runs and ornaments. A huge thankyou to Mary for making the above document available to all of us!!!! It’s important to know the chromatic scale, because there are some chromatic passages (especially in newer works), and it is a great way to test your knowledge of the entire range of the instrument. It means that you'll be able to "maintain" it without as long an "input" time as at first. 1 & 2 (also found in the Wye Collection.). Good technique books for this: Complete Daily Exercises for the Flute. Sheet Music for Flute solo The finger needs only it's own weight, not any actual downward force. Complete Daily Exercises for the Flute - Flute Tutor: Essential Practice Material for All Intermediate to Advanced Flautists 128. by Trevor Wye. If I do feel like it, I do! Complete Daily Exercises for the Flute - Flute Tutor: Essential Practice Material for All Intermediate to Advanced Flautists Spi Edition by Wye, Trevor published by Music Sales America (2003) [aa] on Amazon.com. 2 (choose others as you progress through the book. Complete Daily Exercises for the Flute - Flute Tutor: Essential Practice Material for All Intermediate to Advanced Flautists 128. by Trevor Wye. The second stage is playing the study with a moderate metronome marking, gradually increasing it until a week or so later you're at a performance speed. This plan should work well for flutists not actively preparing an audition, competition or recital. Flip to back Flip to front. The knowledge of balancing your practice regime comes with time and a lot of personal "trial and error". Berbiguier: Flute solo: Study No. 1 and 2; Andre Maquarre's Daily Exercises; John Wummer's Daily Exercises; Mathieu Reichert's 7 Daily Exercises.
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